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Samir Odeh-Tamimi: VROS

for four voices and electronics

(2021)

‘VROS’ is about a person who lives in isolation. In his own world, he perceives nothing of the world that surrounds him. His attempts to communicate and communicate fail, and so he burrows deeper and deeper into his isolated world.
During the composition process, I realised in a very surprising moment that this person is a murderer. He himself is neither able to realise nor accept this fact. His desire and endeavour to communicate this to others also fails.

(Samir Odeh-Tamimi)

Samir Odeh-Tamimi (*1970 in Jaljulia near Tel-Aviv) experienced his musical socialization in various ensembles for traditional Arabic music. Fascinated and inspired by both European classical music and the aesthetics of new music, he came to Germany at the age of 22 and studied composition and musicology, also engaging with compositional role models such as Giacinto Scelsi and Iannis Xenakis. Thus, he develops his musical language equally from influences of the Western European avant-garde as well as Arabic musical practice. His oeuvre encompasses a complex spectrum of diverse vocal and instrumental works, which is also marked by regular collaborations with ensembles such as the Neue Vocalsolisten and Zafraan Ensemble. Philoktet is his fourth staged work, following his highly acclaimed music theater works Leila and Madschnun and L’Apokalypse Arabe I and II.

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Samir Odeh-Tamimi: VROS

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